Right from the start, the CMIT 5 defined a new standard for directional tube microphones. Its bundling increases particularly evenly with frequency, resulting in an unusually balanced sound character. In addition, the level decreases particularly gently and frequency-independently to the side of the 0° axis. As a result, localized events can also be recorded sound-neutrally, and small mistakes when fishing are forgiven. The CMIT 5 focuses more than you would expect from a microphone of its length. It is also used for music recordings, for example in the opera, when a stronger directivity is required (eg in tight spaces). offers the properties of a CMIT 5 in a compact design and is primarily recommended for use with digital, wireless transmitters.
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